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1492/Blade Runner/City
(CD, 2003)
Primary Artist: Vangelis
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Format: CD
Aug 2003
Record Label: Warner Music Benelux (Australia)
Recording Type: Studio
UPC: 766482789344 |
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Details
Track Listing
1. Opening
2. Conquest of Paradise
3. Monastery of la Rabida
4. City of Isabel
5. Light and Shadow
6. Deliverance
7. West Across the Ocean Sea
8. Eternity
9. Hispanola
10. Moxica and the Horse
11. Twenty Eight Parallel
12. Pinta Nina Santa Maria
13. Main Titles
14. Blush Response
15. Wait For Me
16. Rachels Song
17. Love Theme
18. One More Kiss Dear
19. Blade Runner Blues
20. Memories of Green
21. Tales of the Future
22. Damask Rose
23. Blade Runner (End Titles)
24. Tears in Rain
25. Dawn
26. Morning Papers
27. Nerve Centre
28. Side Streets
29. Good to See You
30. Twilight
31. Red Lights
32. Procession
| Details | | Distributor: | Phantom Import Distributi | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
Australian import.
Vangelis is one of the most famed composers of film music, and with 1492 he adds another superior soundtrack to a discography that includes such classics as CHARIOTS OF FIRE and BLADE RUNNER. The soundtrack to a film that recounts Christopher Columbus's journey and discovery of America, 1492 has all the grandeur and scope one would associate with the film's topic. As per usual, Vangelis employs various electric and acoustic elements, including synthesizer, live orchestra, and a choir.
The results are heard to fine effect on the swelling title track, on moody pieces like "Light and Dark," and on delicately atmospheric tracks like "Deliverance." The range of instrumental textures and colorations keeps the listening lively, and the album is sequenced in such a way that the pieces have a real continuity, merging from one to the next and creating the aural equivalent of Columbus's voyage. For all of its historic import and cinematic sweep, Vangelis's music is quite thoughtful and relaxing, and 1492 makes a fine selection for headphone listening and internal movie-making.
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